OIL PAINTERS OF AMERICA BLOG ON MOTIVATION AND INSPIRATION

  Her staring at my plein air piece let me know my design was not good. Blogging is hard when doing a paintout, here is my link to last weeks blog for OPA.

  Workshop attendees always explain why they aren't improving faster, in this link I reiterate what they say and explore some keys I hope, love to hear what helps you.

http://blog.oilpaintersofamerica.com/2012/08/inspiration-and-motivation-the-prelude-to-success/

  I hope this link works,my next blog will cover  some of the beautiful sites during Plein Air Rockies

  My very best to all.

TAKING RISKS; SHIFTING TO NEW STYLES; NOT FINISHING

STAYING LOOSE AND LEAVING IT ALONE

   It seems to me like something happens when we are forced to paint from life in less than perfect conditions.The weather looked bad , than got worse and I never could finish this painting because of the rain, it had rain drops on it and all over my palette. I just left it cause it was how I felt that week in less than ideal conditions (loose and shifting) after teaching a workshop to some brave artists in Provence the week before.

WORKSHOP STUDENTS STAYING LIGHTHEARTED

   They were really challenged but what growth. It never ceases to amaze if you are inspired, happy and upbeat you rise to challenges, each artist performed unbelievably and I believe partly because of the ability to remain lighthearted. Cranking down on yourself seems to be restrictive.

AWARENESS OF CHANGE
  

 
   Admittedly it is easy to fall back on what you know but it gets boring and stale. Awareness may allow us to shift to new more creative ways of painting. Admittedly it is a struggle and hard not to whip yourself, but in painting for the gallery my paintings had shifted to different types of lighting. This resulted in paintings like above. Another gallery saw these images and forwarded to a collector that wants paintings from their incredible properties. It is amazing to me that by being aware of change and going with it, things worked out better than if I had tightly controlled everything. It is like Joseph Campbell describes in "The Power of Myth."

TAKING YOURSELF TOO SERIOUSLY

   I really like my artists friends, and the art world because most are not too egotistical. It is great to want to achieve at a very high level, the new psychological studies are supporting that real risk takers are lighthearted which allows for failures. They go from one failure to another without much of  loss of enthusiasm, exactly how Winston Churchill described success. I like teaching my workshops in a lighthearted manner. Artists crank down on themselves enough without any help, they actually need some relief.

When Things Go South in Plein Air, Growing

My final version of Gordes 12 by 9 from my workshop in Provence. It was than to Charleston for PAPSE paint out and finally The paint out at Maritime Gallery at Mystic Seaport, after seeing a show of William Trost Richards that totally moved me.

The issue is what is happening when you are painting well and you slip, I just did,I don't really totally know but here are a few ideas?

   1. Distracted by phone calls or current events, not focusing;

   2. You are trying to shift your normal painting techniques and ideas, so you don't feel or look stale and, thus you are growing;

   3. You have subtly shifted a color, added new colors, or a shifted one of your methods.

SO WHAT TO DO:

   1. Turn off phone , or put yourself under some pressure to focus;

   2. Go back to old ways, boring but safe;

   3. Be really aware of how you changed your techniques and colors, and filter what is working or not.
 
  Maybe we can always keep growing by asking 2 questions?

    1. If I was just 5% more aware of what is motivating me to paint it?

    2. If I was just 5% more aware how I would love for my paintings to look?
 
   ART and all of life needs to give both pleasure and meaning, even the things we enjoy. Trying to get both is a real key, just pleasure is unfulfilling. Artists are such a pleasure to be around, what a energizing collection of people.
 

Reflections on Redesign to Improve

Below is my final product for Western Visions, lets see if I improved it,

Perhaps better cloud and snow work, more atmosphere in back mountains, more form in  mountains, better lighting in trees, and maybe better design of front rock which allowed for a better lead in and more transparent rocks in water:

    This was just too flat, poor front design of rock, yet maybe decent other large shapes:

   

   
    Funny, but the sketch painting of different subject matter I did for Western Visions I think I like a lot (it could be I get tired of them if they require a lot of extra work.), I try to always ask this question , how does it go to extraordinary in my view, which may not be in someone else's view, just a good question. I will cover the changes to it next time, and than report on the wonderful set of artists at my Provence workshop hosted amazingly by Anne Huff (fluent in French), of Huff Harrington Fine Art Gallery

Separating Layers in Plein Air Paintings

  Tis the season, just finished a great workshop in the streams, mountains, farms and vineyards of North Georgia, what great excited group of artists, and my thanks to Elder Ridge Studios, Donna and her husbands beautiful land of streams, buildings, etc and the gorgeous Three Sisters Vineyards and Doug's hospitality.

  Now off to teach in lovely Provence for Huff Harrington Gallery. I am actually in JFK airport on way to Nice.
  In preparation I did this quickie plein air, of a closed in scene that people seem to like, it took less than an hour so it stayed fresh with not so bad brush marks, but I think part of it was creating depth through the use of layers, that is trying to separate a strong front, mid front, mid, and back sections. I also tried to use spots of light to move your eye through the painting , maybe it works. I have learned the eye bounces around in the painting so the use of spots and lines of light maybe useful.
  Of course a lot of paintings don't make the cut, but it is always a learning experience. Painting abstract designs in all paintings is a great joy, just shapes and values. Next time we will compare the different versions of paintings done for the Western Visions Show.I love this statement "Small incremental growth is better than great failures. "
  You can only hear what you are ready to hear, so enjoy where you are in your painting.

From Demo, to demo, to plein air, to sold

Wow, what a great group of artists in St Simons workshop hosted by Anderson Gallery. Thanks y'all. Sometimes we just have to improvise and not all paintings have a normal life. This one had the quirkiest history.

 I confess I always struggle with shapes. I teach an advanced class were we break down the painting process including shapes. In that class I quickly did a tonal of this 16 by 20 marsh scene with no color and not looking at anything, it helps me with my struggle to force myself to be creative and try to get a good design.

Than at St Simons workshop I had already done a beach, cloud demo and some of the fine artists decided they wanted to paint marshes also, so I quickly painted on this tonal in a parking lot without being able to see the real marsh colors. I hate that and it does not work well, but it got a demo done so some could proceed to the marshes and see the real colors. And thanks to Fred , who gave me a bike to get to both the beach and marsh people I was able to adjust artists' paintings on site.

Finally, after the St Simon's workshop I was able to relook at my colors, which I hated , and paint more accurately from life, repaint water reflections and make other adjustments , including more subtle detail up front. The first one in this blog is the finished painting, and I felt really fortunate it sold within 24 hrs in the gallery.

I hope showing you my mistakes and changes maybe helpful , from the emails I get this is appreciated, I shall try to keep this up as long as the response is good. Sometimes we just have to let them go though, this one had a good base I think.

Why Plein Air?

Just finished teaching a plein air workshop, and wow there is no faster way to accelerate your growth , as plein air quickly forces you to make decisions, but really the most important thing about it is you just cannot get the color harmonies from a picture, and dark and light values are too blown out.
Once you get the shape design right , really observing the harmonies and taking the time to mix the colors correctly is just amazingly enjoyable and rewarding, just paying attention to the subtle lighting effects. I have tried to capture this inside and the effects are not even close. Just another great reason to enjoy nature. They may not all be a success but they are all a learning experience.