THE CALL FOR DEEPER ART: by LIVING A DEEPER LIFE

FINDING A GREAT LIFE AND YOUR UNIQUE ART

 Creating a balance between the deep desire in this sacred life to create great art,  the hard work we encounter on this path, and the need for a pleasurable journey is something we must strive for or pay the price for having missed the joy of living.

     Many of us were taught to work hard. These are great life lessons and a part of  achieving success, especially in the first forty years of life. Many thanks to those who prepared us to earn a living, yet somehow I missed the wisdom of balance.

     Brother David Steindl- Rast, a monk, in his revelatory book, "Gratefulness, the Heart and Prayer" concluded after many years of research that gratefulness was the practice that led to a joyful life. This has now been confirmed by numerous scientific studies. It is so important it is recommended that you write letters of gratitude to others in your life. The key is in creating a ritual whereby you express your gratitude several times a week and eventually your cup will begin to feel like its half full. In addition, make it a ritual to thank people often. The psychological studies confirm that grateful people are happier and happier people are more successful. Happiness should mean both meaning and joy.

   

  My neighbor has Lou Gehrig's disease, he has lost the use of an arm and it is progressing yet he is a pleasure to be around, he CHOOSES to be grateful and thus happy. We must CHOOSE to find ways to be grateful and joyful or risk a lost life, for who wants to have lived without knowing the joy of living?

  PERFECTIONISM stifles CREATIVITY

     We must work, it is in our DNA. We struggle to be the best we can be. We must "show up". Going into the winter months  I frequently start to crank down , get too serious and think about business TOO much. This is when I must seek ways to regain the joy of creating art by recreating the moment that motivated the plein air studies I use for reference.  PERFECTIONISM is actually detrimental to creativity. When we see masters' works we see their masterpieces mostly, yet we don't see the many other works that they created. The point is they created large numbers of works and only some reached the masterpiece level.

So we need look no farther than "The Art Spirit" by Robert Henri, and I paraphrase as follows:

       " Life is finding yourself, it is a spiritual development. The goal is not making art, it is living a life. Those who live their lives will leave the stuff that is really art. Life is not about much attention to detail. What we need is more a sense of wonder of life and not the business of making a picture. Go beyond the material and put the spiritual in it. If you have something to say you will find the way.What does your soul desire to say right now?"

      

 I recently toured the northwest, living a life in beauty, photographing nature and painting plein air, seeking beauty. This is living at a high level for artists. So coming back in studio it is important to refresh and relive those feelings to create art using all the materials and skills to recreate this beauty and energy for others to see. As a teacher Henri obviously felt it not enough to teach skills but to foster excitement for life, to teach people to paint from memory of intense feelings and contemplation. Teaching workshops is also a time of intense concentration, yet a time of great joy and connection watching the growth of other artists.

"In the depth of winter , I finally learned that there was within me an invincible summer." Albert Camus

Wishing you an invincible summer this winter and wishing you and your family happy holidays.

THE NEXT BLOG WILL BE ABOUT CHANGING A CAREER AND A LIFE , A QUESTION ASKED OFTEN IN WORKSHOPS

Clouds From Small to Large

     One of the things we try to work on in the Advanced Accelerated Growth Workshops is being able to creatively design , so you can handle moving clouds when outside and rearrange nature into a better design. This is one of the advantages of painting anything moving in plein air. It forces you to leave your photo or any other crutch behind. Eventually you will be able to paint anything while the subject matter is moving.
     I usually try to improve on the larger painting in design, values and color transitions, hopefully these decisions improve the painting.
     The pieces above went from a 12 by 16 to a 24 by 36. You will see I completely redesigned the lower beach, dunes and water. In addition I softened values in the clouds to get them to float better and also redesigned them. The color I lowered the separation between cools and warms to try to create a stronger harmony. Hopefully the painting got better. So you know by now which is the 24 by 36. The smaller piece has a nice home and the larger one heads to a gallery this week.
   I am in the process of preparing for my St. Simons Island Workshop through Andersen Gallery so I am working on lots of skies. My next posts will involve these and some plein air from the workshop and the trip.
   I am also looking at scheduling some mentoring sessions in my studio in Atlanta.
It is important to me to revel in the learning, to make it an enjoyable learning process, I have learned making learning enjoyable is a key to learning more regularly and being more creative, thus growing and stretching. Over stretching creates frustration and under stretching creates boredom.

     My very best, Bill